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home·artworks·Saint Eustace
Saint Eustace by Giambattista Pittoni

plate no. 6792

Saint Eustace

Giambattista Pittoni, 1722

oilRococoreligious paintingfiguresarchitecturedraperystatueinteriordog
experienced study

Recreating this painting will help students develop skills in rendering complex figures in dynamic poses and understanding the use of light and shadow to create depth and drama. It also provides practice in capturing the texture of various materials like fabric and metal.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and objects.

  2. step 02

    Block in the main areas of color, focusing on the large shapes and value relationships.

  3. step 03

    Develop the figures, paying attention to anatomy and the fall of light and shadow.

  4. step 04

    Refine the details of the drapery, architecture, and other elements.

  5. step 05

    Add highlights and shadows to create a sense of depth and volume.

  6. step 06

    Work on the background details, ensuring they support the main subject.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the overall effect.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · ivory black · yellow ochre

Achieve the skin tones by mixing ochre, burnt umber, and white, with small amounts of red for warmth. Use ultramarine blue and burnt umber to create a range of grays and blacks for shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery studies

common pitfalls

  • →Getting lost in details too early
  • →Incorrect proportions of figures
  • →Overworking the painting
  • →Failing to establish a strong value structure

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ochre, burnt umber, ultramarine blue, titanium white, cadmium red, ivory black)
  • ·Turpentine or odorless mineral spirits
  • ·Linseed oil
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use a canvas with a medium texture to allow for good paint adhesion. Consider using a toned ground to help establish the overall color harmony.

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