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home·artworks·RUMANIAN COTTAGES IN TRANSYLVANIA
RUMANIAN COTTAGES IN TRANSYLVANIA by Marianne Stokes

plate no. 3830

RUMANIAN COTTAGES IN TRANSYLVANIA

Marianne Stokes, 1909

oilImpressionismlandscapecottageslandscapefigurestreesskyrural scene
some experience helpful

Recreating this painting will help students practice layering techniques to build texture and understand how to simplify complex forms into basic shapes. It also provides an opportunity to work with a limited color palette to create a harmonious composition.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cottages, tree, and figures, paying attention to their relative sizes and placement.

  2. step 02

    Establish the sky with a thin wash of light blue and white, blending the colors softly.

  3. step 03

    Block in the large areas of color for the cottages' roofs using a mix of browns and umbers, varying the tones to suggest texture.

  4. step 04

    Paint the white walls of the cottages, adding subtle shadows and highlights to create form.

  5. step 05

    Add the details of the fence and figures, using smaller brushes and more precise strokes.

  6. step 06

    Paint the tree trunk and branches, using a dry brush technique to create a textured effect.

  7. step 07

    Develop the foreground with a mix of yellows, browns, and greens, suggesting the ground and shadows.

  8. step 08

    Add final details and highlights to the entire painting, adjusting values and colors as needed.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · ultramarine blue · raw sienna

Mix browns by combining burnt umber with yellow ochre and small amounts of blue. Use white to lighten colors and create highlights. Achieve the sky color by mixing white with a touch of ultramarine blue.

techniques

  • ·dry brush
  • ·layering
  • ·blending
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Using too much paint and losing the texture.
  • →Failing to create enough contrast between light and shadow.
  • →Not simplifying the complex forms of the cottages and tree.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (#2, #4)
  • ·flat brushes (#6, #8)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to help create a textured effect. Consider using a quick-drying medium to speed up the drying time of the oil paint.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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