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home·artworks·Rouen, La Seine et les Collines à Canteleu
Rouen, La Seine et les Collines à Canteleu by Albert Dubois-Pillet

plate no. 6259

Rouen, La Seine et les Collines à Canteleu

Albert Dubois-Pillet, 1887

oilPointillismlandscaperivertreesbuildingsskyhillswater
some experience helpful

Recreating this painting will help students understand color mixing for pointillism and how to build up an image using small dots of color. It also provides practice in creating depth and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the horizon line, the outline of the hills, the riverbank, and the buildings.

  2. step 02

    Establish the overall color scheme, focusing on the cool blues and greens for the water and sky, and warmer tones for the buildings and hills.

  3. step 03

    Begin applying small dots of color, starting with the background (hills and sky) and working your way forward.

  4. step 04

    Use a variety of colors to create depth and texture, layering dots of different hues to achieve the desired effect.

  5. step 05

    Pay attention to the reflections in the water, using similar colors as the objects above, but slightly muted.

  6. step 06

    Add details to the buildings and trees, using darker colors to create shadows and highlights.

  7. step 07

    Continuously step back from your work to assess the overall balance and composition, making adjustments as needed.

  8. step 08

    Refine the details and add any final touches to complete the painting.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt sienna · viridian green · cadmium yellow

Achieve the muted tones by mixing complementary colors. Use white to lighten values and create atmospheric perspective. Mix blue and yellow for various greens.

techniques

  • ·pointillism
  • ·color mixing
  • ·layering
  • ·atmospheric perspective
  • ·optical mixing

common pitfalls

  • →overmixing colors
  • →using dots that are too large
  • →not varying the colors enough
  • →losing the overall composition
  • →uneven dot distribution

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·small round brushes (sizes 0-2)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning)

optional

  • ·easel
  • ·medium for glazing
  • ·varnish

Use high-quality paints for best results. Experiment with different brush sizes to achieve the desired dot size.

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oil painting for beginners →how to learn by studying the masters →
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