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home·artworks·Room in Amaliegade with the Artist's Brothers (Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated)
Room in Amaliegade with the Artist's Brothers (Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated) by Wilhelm Bendz

plate no. 1623

Room in Amaliegade with the Artist's Brothers (Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated)

Wilhelm Bendz, 1826

oil, canvasAcademicismgenre paintinginteriorfiguresroomfurnitureportraitswindow
some experience helpful

Recreating this painting will help students develop skills in rendering realistic light and shadow, as well as creating depth and perspective in an interior scene. It also provides practice in painting figures in a believable setting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and perspective.

  2. step 02

    Block in the large shapes and areas of color, paying attention to the overall value structure.

  3. step 03

    Begin refining the details of the architecture and furniture.

  4. step 04

    Paint the figures, focusing on accurate proportions and realistic skin tones.

  5. step 05

    Add details to the objects in the room, such as the books, bottles, and plants.

  6. step 06

    Refine the lighting and shadows to create a sense of depth and atmosphere.

  7. step 07

    Add final details and highlights to complete the painting.

  8. step 08

    Glaze to unify colors and add depth.

color palette

primary · raw umber · titanium white · viridian

secondary · cadmium red · yellow ochre · ivory black

Mix greens by combining viridian with yellow ochre or raw umber. Achieve the off-white walls and ceiling by mixing titanium white with small amounts of raw umber and yellow ochre.

techniques

  • ·glazing
  • ·scumbling
  • ·layering
  • ·linear perspective
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective can ruin the sense of depth.
  • →Overworking the details too early can lead to a stiff and unnatural look.
  • →Inaccurate color mixing can result in a flat and lifeless painting.
  • →Ignoring the subtle variations in light and shadow can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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