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home·artworks·Rome. Italian Courtyard
Rome. Italian Courtyard by Fyodor Bronnikov

plate no. 7298

Rome. Italian Courtyard

Fyodor Bronnikov

oilAcademicismgenre paintingfiguresarchitecturecourtyardchildrendonkeylandscape
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a natural setting and understanding atmospheric perspective to create depth. It also provides practice in capturing the texture of stone and the subtle variations in light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and perspective.

  2. step 02

    Block in the main shapes and areas of light and shadow using thin washes of color.

  3. step 03

    Begin refining the details of the architecture, focusing on the texture of the stone.

  4. step 04

    Add the figures, paying attention to their proportions and interactions.

  5. step 05

    Develop the landscape in the background, using lighter tones to create atmospheric perspective.

  6. step 06

    Refine the details of the figures and architecture, adding highlights and shadows.

  7. step 07

    Add final details such as the plants and the donkey.

  8. step 08

    Glaze to unify the colors and adjust values as needed.

color palette

primary · raw umber · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt sienna · sap green

Mix various shades of brown and gray by combining raw umber, ultramarine blue, and titanium white. Use yellow ochre and cadmium red light to create warm tones for the figures and architecture. Add small amounts of sap green to create natural greens.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·rendering textures

common pitfalls

  • →Getting the perspective wrong
  • →Oversaturating the colors
  • →Ignoring the subtle variations in light and shadow
  • →Making the figures look stiff and unnatural

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt sienna oil paint
  • ·sap green oil paint

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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