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home·artworks·Rocky Landscape with Saint Jerome
Rocky Landscape with Saint Jerome by Joachim Patinir

plate no. 6854

Rocky Landscape with Saint Jerome

Joachim Patinir

oil, woodNorthern Renaissancereligious paintinglandscapefiguretreesrocksskyreligious
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and in rendering realistic figures within a landscape setting. It also provides practice in depicting textures such as foliage and rock.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, landscape elements, and horizon line.

  2. step 02

    Establish the background sky and distant landscape with thin washes of color.

  3. step 03

    Block in the main shapes of the rocks, trees, and figure using simplified color masses.

  4. step 04

    Develop the mid-ground foliage with varied greens and browns, paying attention to light and shadow.

  5. step 05

    Refine the figure of Saint Jerome, adding details to the face, hands, and drapery.

  6. step 06

    Add details to the foreground elements, such as the skull and book.

  7. step 07

    Glaze layers to unify the colors and create depth.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · cadmium red · yellow ochre · ivory black

Achieve the muted greens by mixing ultramarine blue, yellow ochre, and burnt umber. Use white to lighten values and create atmospheric perspective. Mix red and brown for the robe.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Ignoring the importance of atmospheric perspective in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering.

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