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home·artworks·Robert Goldsborough and Family
Robert Goldsborough and Family by Charles Willson Peale

plate no. 3787

Robert Goldsborough and Family

Charles Willson Peale, 1787

oilRococoportraitfiguresportraitclothingbustcolumnfamily
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric textures and details. It also provides practice in creating a complex composition with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and background elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin developing the skin tones, paying close attention to highlights and shadows.

  4. step 04

    Work on the clothing, focusing on the folds, textures, and details of the fabric.

  5. step 05

    Add details to the background, including the column and bust.

  6. step 06

    Refine the facial features and expressions of the figures.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · ivory black · titanium white · yellow ochre · cadmium red light

secondary · ultramarine blue · viridian · raw umber

Mix skin tones using white, yellow ochre, and a touch of red. Use ultramarine blue and white for the cooler tones in the clothing and background. Add raw umber to darken colors and create shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Inaccurate proportions of the figures.
  • →Overblending, resulting in a flat, lifeless appearance.
  • →Neglecting the subtle variations in skin tone.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·viridian oil paint

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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