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Risky society by Jan van Hemessen

plate no. 1057

Risky society

Jan van Hemessen, 1550

oilNorthern Renaissancegenre paintingfiguresinteriortableclothingarchitecturedrinking
experienced study

Recreating this painting will help students develop skills in portraiture, figure drawing, and rendering complex textures of clothing and objects. The painting also requires careful attention to composition and creating depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Begin to develop the values and forms of the figures, paying attention to the light source.

  4. step 04

    Add details to the faces, clothing, and objects, gradually building up the layers of paint.

  5. step 05

    Refine the edges and contours of the forms to create a sense of depth and realism.

  6. step 06

    Pay attention to the background details, such as the figures in the doorway and the architecture.

  7. step 07

    Add final highlights and shadows to create a sense of drama and contrast.

  8. step 08

    Glaze the painting to unify the colors and create a sense of atmosphere.

color palette

primary · red ochre · ultramarine blue · ivory black · titanium white

secondary · yellow ochre · burnt umber · cadmium red light

Mix various shades of skin tones using red ochre, yellow ochre, and white. Use ultramarine blue and burnt umber to create dark shadows and cool tones. Mix red ochre and burnt umber to create the reds of the clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying enough attention to the light source.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (red ochre, ultramarine blue, ivory black, titanium white, yellow ochre, burnt umber, cadmium red light)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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