apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Richard Paul Jordell
Richard Paul Jordell by Thomas Gainsborough

plate no. 1608

Richard Paul Jordell

Thomas Gainsborough, 1774

oil, canvasRococoportraitportraitfiguremanclothingbookoval
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle color mixing for skin tones, and rendering of fabric textures. It also provides practice in creating a sense of depth and form through careful value gradations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, paying attention to proportions and the oval frame.

  2. step 02

    Establish the basic values and shapes of the background, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figure, focusing on the head, torso, and hands.

  4. step 04

    Begin layering in the skin tones, using subtle color variations to create form and dimension.

  5. step 05

    Paint the clothing, paying attention to the folds and textures of the fabric.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth.

  7. step 07

    Render the hair, using light and dark values to create volume and texture.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ivory black · yellow ochre · raw umber

secondary · cadmium red light · viridian · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use black and umber for shadows. Mix greens for the coat by combining yellow and blue. Use glazes of red and umber for the background warmth.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Ignoring the subtle color variations in the clothing.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (titanium white, ivory black, yellow ochre, raw umber, cadmium red light, viridian, ultramarine blue)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for blending and layering.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West