
plate no. 9081
John Jackson, 1820
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating soft, diffused lighting and loose brushwork.
technical profile
approach — 8 steps
Begin with a light sketch of the overall composition, focusing on proportions and placement of features.
Establish the background color with a thin wash of burnt umber.
Block in the main shapes of the face, hair, and clothing using a limited palette of earth tones and white.
Gradually build up the skin tones by layering thin glazes of color, paying attention to subtle variations in value and hue.
Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.
Add highlights and shadows to create depth and dimension.
Refine the hair and clothing, using loose brushstrokes to suggest texture and form.
Add final details and adjust values as needed to achieve a cohesive and expressive portrait.
color palette
primary · burnt umber · titanium white · yellow ochre
secondary · cadmium red light · ivory black
Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black for shadows and clothing. Add small amounts of red to the cheeks and lips for warmth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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