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home·artworks·Reverend John Wesley (1703–1791)
Reverend John Wesley (1703–1791) by John Jackson

plate no. 9890

Reverend John Wesley (1703–1791)

John Jackson, 1827

oilRococoportraitportraitfigurebooktableclerical collarrobes
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure, book, and table.

  2. step 02

    Establish the background with a dark, blended wash, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall form and posture.

  4. step 04

    Begin layering in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Define the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Paint the clothing and clerical collar, focusing on the folds and drapery.

  7. step 07

    Add details to the book and table, creating texture and interest.

  8. step 08

    Refine the overall painting, adjusting values and adding final touches.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Darken colors with ivory black and lighten with white. Use ultramarine blue to cool down shadows.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to create sufficient contrast between light and shadow.
  • →Ignoring the subtle details that bring the portrait to life.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-textured canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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