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home·artworks·Revelation (The watch)
Revelation (The watch) by Remedios Varo

plate no. 4342

Revelation (The watch)

Remedios Varo, 1955

oilSurrealismsymbolic paintingfigureclocksinteriortablecatwindow
experienced study

Recreating this painting will help students develop skills in rendering complex textures and atmospheric perspective, as well as understanding surrealist composition and symbolism. It also provides practice in painting figures and objects in a dimly lit environment.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the perspective of the room and the placement of the clocks, figure, and cat.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, focusing on the areas of light and shadow.

  3. step 03

    Begin layering in the base colors for the walls, floor, and ceiling, using a muted palette of ochres and greens.

  4. step 04

    Paint the clocks, starting with the basic shapes and then adding details like the clock faces and figures inside.

  5. step 05

    Render the figure at the table, paying attention to the subtle gradations of light and shadow on the face and clothing.

  6. step 06

    Add the details on the table, including the watches and tools.

  7. step 07

    Paint the cat and the objects on the floor, paying attention to their textures and the way they are lit.

  8. step 08

    Refine the details and add any final touches, such as the light coming from the window and the textures of the walls and ceiling.

color palette

primary · yellow ochre · burnt umber · cadmium red

secondary · viridian green · ivory black

Achieve the muted tones by mixing the primary colors with each other and with black and white. Use thin glazes to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering textures

common pitfalls

  • →Getting the perspective wrong can ruin the entire painting.
  • →Using colors that are too bright or saturated will detract from the painting's mood.
  • →Failing to capture the subtle gradations of light and shadow will make the painting look flat.
  • →Overworking the details can make the painting look cluttered.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with.

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