apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Resurrection of Christ
Resurrection of Christ by Albrecht Altdorfer

plate no. 6818

Resurrection of Christ

Albrecht Altdorfer, 1518

oil, woodNorthern Renaissancereligious paintingfigurelandscapeskysoldierssunriseflag
experienced study

Recreating this painting will help students develop skills in figure drawing, atmospheric perspective, and creating a sense of depth through layering. It also offers practice in rendering complex textures and subtle color gradations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and the horizon line.

  2. step 02

    Establish the background sky and landscape with broad washes of color.

  3. step 03

    Block in the main figures, paying attention to proportions and anatomical details.

  4. step 04

    Develop the light source and begin to define the forms with highlights and shadows.

  5. step 05

    Add details to the figures, including clothing, armor, and facial features.

  6. step 06

    Refine the landscape, adding trees, rocks, and other elements to create depth and texture.

  7. step 07

    Work on the flag and other symbolic elements, ensuring they are accurately rendered.

  8. step 08

    Add final details and glazes to enhance the overall effect and create a sense of atmosphere.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · viridian green · ivory black

Achieve the warm sunset colors by mixing cadmium red, yellow ochre, and a touch of burnt umber. Use ultramarine blue and viridian green to create the cooler tones in the distant landscape and sky.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →overworking the details too early
  • →inaccurate proportions of figures
  • →muddying the colors by over-mixing
  • →failing to establish a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley