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home·artworks·Resting on the Banks of the Tiber
Resting on the Banks of the Tiber by Paul Delaroche

plate no. 8027

Resting on the Banks of the Tiber

Paul Delaroche, 1843

oil, panelAcademicismgenre paintingfiguresriverlandscapearchitecturetreebaby
some experience helpful

Recreating this painting will help students develop skills in figure painting, particularly rendering skin tones and drapery, as well as creating atmospheric perspective in the background landscape. It also offers practice in composing a scene with figures in a natural setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main landscape elements.

  2. step 02

    Establish the background with thin washes of color, creating atmospheric perspective by making distant elements lighter and less detailed.

  3. step 03

    Block in the main shapes of the figures with mid-tone colors, paying attention to proportions and anatomy.

  4. step 04

    Begin to develop the form of the figures by adding highlights and shadows, using subtle color variations to create depth.

  5. step 05

    Paint the drapery, focusing on the folds and highlights to create a sense of volume.

  6. step 06

    Add details to the faces, paying attention to the eyes and mouth to convey emotion.

  7. step 07

    Refine the landscape elements, adding details to the trees, buildings, and river.

  8. step 08

    Add final touches and highlights to the figures and landscape to create a sense of realism.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red

Mix various shades of brown and beige by combining burnt umber, raw sienna, and titanium white. Use ultramarine blue to create cool shadows and atmospheric perspective in the background. Add small amounts of cadmium red to warm up skin tones.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →overworking details too early
  • →incorrect proportions of figures
  • →lack of atmospheric perspective
  • →muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2-6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits
  • ·easel

Use a fine-grain canvas for smoother blending. Consider using a toned ground to unify the colors.

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