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home·artworks·Rest During The Flight To Egypt
Rest During The Flight To Egypt by Joachim Patinir

plate no. 6111

Rest During The Flight To Egypt

Joachim Patinir, 1520

oil, panelNorthern Renaissancereligious paintinglandscapefigurereligious scenetreesbuildingssky
experienced study

Recreating this painting will help students develop skills in layering, glazing, and creating atmospheric perspective. It also provides practice in rendering complex figures and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and landscape elements.

  2. step 02

    Establish the background with thin washes of color, creating atmospheric perspective by muting colors in the distance.

  3. step 03

    Block in the main shapes of the trees, buildings, and figures with darker tones.

  4. step 04

    Begin layering colors on the figures, paying attention to the folds and highlights of the drapery.

  5. step 05

    Refine the details of the landscape, adding texture to the trees and rocks.

  6. step 06

    Glaze over the painting to unify the colors and create depth.

  7. step 07

    Add final highlights and shadows to enhance the form of the figures and objects.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · cadmium yellow light

Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt sienna. Create the flesh tones by mixing titanium white, yellow ochre, and a small amount of burnt sienna.

techniques

  • ·glazing
  • ·layering
  • ·atmospheric perspective
  • ·rendering drapery
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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