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home·artworks·Ressurreição de Cristo
Ressurreição de Cristo by Gregorio Lopes

plate no. 9981

Ressurreição de Cristo

Gregorio Lopes, 1539

oilNorthern Renaissancereligious paintingfigurereligiouslandscapesoldierscitysky
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing complex compositions with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of the main figures and the background elements.

  2. step 02

    Establish the main value structure by blocking in the dark and light areas with thin washes of paint.

  3. step 03

    Start painting the background, focusing on the atmospheric perspective and the gradual shift in color and value.

  4. step 04

    Move on to the figures, starting with the central figure of Christ and working outwards.

  5. step 05

    Pay close attention to the drapery and the folds of the clothing, using highlights and shadows to create a sense of volume.

  6. step 06

    Add details to the faces and hands, capturing the expressions and gestures of the figures.

  7. step 07

    Refine the details of the armor and weapons, using small brushes to create intricate patterns.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · red · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · cadmium yellow · ivory black

Achieve the flesh tones by mixing titanium white, yellow ochre, and a touch of red. Create the darker shadows by adding burnt umber and ivory black. Use ultramarine blue to create the atmospheric perspective in the background.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling

common pitfalls

  • →Incorrect proportions of figures
  • →Overly bright or saturated colors
  • →Lack of depth in the background
  • →Ignoring the light source
  • →Getting lost in the details before establishing the overall composition

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·red oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.

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