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home·artworks·Reading the Story of Oenone
Reading the Story of Oenone by Francis Davis Millet

plate no. 0666

Reading the Story of Oenone

Francis Davis Millet, 1883

oilAcademicismgenre paintingfiguresdressesinteriorcouchpillowsreading
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating subtle color harmonies. It also provides practice in depicting realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to the placement and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background, couch, and figures.

  3. step 03

    Begin refining the figures, focusing on accurate anatomy and the folds of the drapery.

  4. step 04

    Develop the skin tones, using subtle variations in color and value to create a sense of realism.

  5. step 05

    Add details to the faces, hair, and clothing, paying attention to the light and shadow.

  6. step 06

    Paint the pillows and other details, adding texture and interest.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final highlights and shadows to create a sense of depth and dimension.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · cadmium red light · burnt sienna · ultramarine blue

Mix various shades of skin tones by combining white, yellow ochre, and a touch of red or burnt sienna. Use ivory black and raw umber to create shadows and darker tones. Add small amounts of ultramarine blue to cool down the colors.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·drapery rendering
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or unrealistic skin tones.
  • →Lack of attention to the folds and shadows in the drapery.
  • →Ignoring the subtle color variations in the background and couch.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x36
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with.

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