
plate no. 4446
Katsushika Hokusai, 1831
Students would develop skills in creating atmospheric effects and dramatic contrast between light and dark areas. This piece teaches color gradation techniques and how to depict weather phenomena effectively.
technical profile
approach — 8 steps
Sketch the mountain's triangular silhouette as the dominant focal point
Block in the dark foreground mountains with deep browns and blacks
Paint the sky gradient from blue at top to pale yellow-white at horizon
Add the red-brown volcanic slopes with dotted texture pattern
Paint white and cream clouds with defined curved edges
Add the lightning bolt lines in bright orange-red
Refine cloud shadows and atmospheric perspective
Add final details and Japanese text cartouche if desired
color palette
primary · prussian blue · burnt umber · titanium white · raw sienna
secondary · cadmium red light · yellow ochre · payne's gray · vandyke brown
Mix blues with white for sky gradation, combine burnt umber with raw sienna for mountain slopes, use pure white with slight blue tint for clouds
techniques
common pitfalls
surface · stretched canvas or canvas board
required
optional
Acrylic paints work well for achieving the flat, graphic quality of the original woodblock print style
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