apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Rain
Rain by Torii Kotondo

plate no. 5187

Rain

Torii Kotondo, 1929

oilShin-hangaportraitfigureportraitumbrellakimonorainwoman
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating flat, graphic shapes with clean edges. It also provides practice in rendering patterns and textures on clothing.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, umbrella, and basic kimono form.

  2. step 02

    Block in the large areas of color: skin tone, hair, kimono stripes, and umbrella.

  3. step 03

    Refine the facial features, paying attention to the subtle curves and proportions.

  4. step 04

    Add the patterns on the kimono and obi (sash).

  5. step 05

    Paint the umbrella details, including the ribs and subtle shading.

  6. step 06

    Add the rain lines using a fine brush or liner.

  7. step 07

    Refine the edges and details throughout the painting.

  8. step 08

    Add final touches and highlights.

color palette

primary · ivory · black · green · pink

secondary · red · blue · brown · gold

Skin tones can be achieved by mixing ivory with small amounts of red, yellow, and brown. The green for the kimono is a mix of green and black. The brown for the umbrella is a mix of burnt umber and yellow ochre.

techniques

  • ·flat color application
  • ·color mixing for skin tones
  • ·pattern rendering
  • ·fine line work
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong
  • →Making the skin tone look unnatural
  • →Overworking the details
  • →Creating muddy colors
  • →Uneven application of flat colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·palette knife
  • ·retarder medium
  • ·tracing paper

Using acrylic paints will allow for quick drying and easy layering. A smooth canvas surface will help achieve the flat color look.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Xhosa woman

Xhosa woman

George Pemba

Spring Evening at Inokashira Park

Spring Evening at Inokashira Park

Hasui Kawase

Full Moon at Izu-ura, Ibaraki

Full Moon at Izu-ura, Ibaraki

Hasui Kawase

Frosty Morning in Nagaoka

Frosty Morning in Nagaoka

Hasui Kawase

Applying Powder

Applying Powder

Torii Kotondo

Drizzling Rain in Ukimido

Drizzling Rain in Ukimido

Asano Takeji

Woman in Summer Garment

Woman in Summer Garment

Goyo Hashiguchi

Twilight in the Village, Nara

Twilight in the Village, Nara

Asano Takeji