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home·artworks·Rabbit on a Train (detail)
Rabbit on a Train (detail) by Michael Sowa

plate no. 6078

Rabbit on a Train (detail)

Michael Sowa

oilSurrealismanimal paintinginteriortrainwindowbuildingsrabbitchair
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering subtle light and shadow. It also provides practice in painting realistic textures and details within a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the perspective of the train car interior and the buildings outside the window.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin refining the details of the buildings outside the window, paying attention to the subtle color variations in the sky and rooftops.

  4. step 04

    Develop the interior of the train car, focusing on the textures of the seat, the window frame, and the walls.

  5. step 05

    Carefully render the rabbit figure, paying attention to the details of its clothing and facial features.

  6. step 06

    Add the small details like the towel, the picture frame, and the window latch.

  7. step 07

    Refine the lighting and shadows throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and harmonious composition.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · payne's gray · yellow ochre

Mix raw umber and white for the walls and interior shadows. Use burnt sienna and white for the buildings. Add a touch of Payne's gray to darken the shadows and create atmospheric perspective.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows.
  • →Creating too much contrast, losing the atmospheric effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of raw umber before beginning to paint.

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