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home·artworks·Pure reason
Pure reason by Rene Magritte

plate no. 8065

Pure reason

Rene Magritte, 1948

oilSurrealismsymbolic paintinghorsetreesforestcurtainfiguresky
some experience helpful

Recreating this painting will help students practice layering techniques to create depth and atmospheric perspective, as well as smooth blending for the horse figure.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horse head, trees, curtains, and distant rider.

  2. step 02

    Block in the large areas of color: the blue for the trees, the reddish-brown for the curtains, and the beige for the horse.

  3. step 03

    Add the sky and clouds, blending the colors softly.

  4. step 04

    Begin layering the colors in the trees, creating depth by making the distant trees lighter and less saturated.

  5. step 05

    Refine the horse's head, paying attention to the subtle variations in tone and the details of the eye and mane.

  6. step 06

    Add details to the curtains, including the folds and shadows.

  7. step 07

    Paint the ground and the distant rider, using small brushstrokes to create texture.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · cerulean blue · raw umber · titanium white

secondary · cadmium red light · yellow ochre

Mix the blue for the trees with white to create lighter shades for the background. Use raw umber and yellow ochre for the ground, and mix white with cadmium red for the curtains.

techniques

  • ·layering
  • ·blending
  • ·atmospheric perspective
  • ·color mixing
  • ·detail painting

common pitfalls

  • →Failing to create enough depth in the forest.
  • →Making the horse's head too flat and lacking dimension.
  • →Using colors that are too saturated and unrealistic.
  • →Neglecting the subtle variations in tone that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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