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home·artworks·Psyche in the Temple of Love
Psyche in the Temple of Love by Edward Poynter

plate no. 0811

Psyche in the Temple of Love

Edward Poynter, 1882

oil, canvasAcademicismmythological paintingfiguredraperyarchitectureflowersbutterflytemple
experienced study

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and drapery, as well as understanding atmospheric perspective and complex architectural details. It also provides practice in capturing delicate details like flowers and butterflies.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure, architecture, and major elements.

  2. step 02

    Establish the background with broad washes of color, focusing on atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and anatomical accuracy.

  4. step 04

    Start building up layers of color on the skin, using subtle variations to create form and depth.

  5. step 05

    Define the drapery with careful attention to folds and highlights.

  6. step 06

    Add details to the architectural elements, including columns, arches, and decorative motifs.

  7. step 07

    Paint the flowers and butterfly with delicate brushstrokes, capturing their intricate details.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a harmonious and balanced image.

color palette

primary · burnt sienna · raw umber · titanium white · yellow ochre

secondary · viridian · alizarin crimson · ivory black

Achieve skin tones by mixing burnt sienna, yellow ochre, and titanium white, with small amounts of alizarin crimson for warmth. Use raw umber and ivory black to create shadows and darker values. Mix viridian with yellow ochre for the greens.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or flat skin tones.
  • →Lack of depth in the architectural background.
  • →Neglecting subtle color variations in the drapery.
  • →Oversimplifying the details of the flowers and butterfly.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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