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home·artworks·Prospect Park, Brooklyn 02
Prospect Park, Brooklyn 02 by William Merritt Chase

plate no. 8235

Prospect Park, Brooklyn 02

William Merritt Chase, 1887

oil, panelImpressionismlandscapeparktreesarchitecturefigurelandscapeurns
some experience helpful

This painting provides practice in capturing light and shadow in a landscape, as well as creating depth through atmospheric perspective and loose brushwork. Students will learn to simplify complex forms and focus on capturing the overall impression of the scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the wall, steps, urns, and figure.

  2. step 02

    Establish the basic color blocks for the sky, trees, ground, and architecture using thin washes.

  3. step 03

    Begin building up layers of color, focusing on the light and shadow patterns.

  4. step 04

    Use broken brushstrokes to suggest the texture of the foliage and architectural details.

  5. step 05

    Mix and apply the colors for the figure, keeping it simple and impressionistic.

  6. step 06

    Refine the details of the urns and steps, paying attention to their form and structure.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition and color harmony.

color palette

primary · yellow ochre · burnt umber · sap green · titanium white

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Achieve the earthy tones by mixing yellow ochre, burnt umber, and white. Use ultramarine blue and cadmium yellow to create various shades of green. Add alizarin crimson for warmer tones in the architecture and foliage.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the atmospheric perspective and creating a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·view finder

A medium-textured canvas will work well for this painting. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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