
plate no. 8235
William Merritt Chase, 1887
This painting provides practice in capturing light and shadow in a landscape, as well as creating depth through atmospheric perspective and loose brushwork. Students will learn to simplify complex forms and focus on capturing the overall impression of the scene.
technical profile
approach — 8 steps
Lightly sketch the main shapes: the wall, steps, urns, and figure.
Establish the basic color blocks for the sky, trees, ground, and architecture using thin washes.
Begin building up layers of color, focusing on the light and shadow patterns.
Use broken brushstrokes to suggest the texture of the foliage and architectural details.
Mix and apply the colors for the figure, keeping it simple and impressionistic.
Refine the details of the urns and steps, paying attention to their form and structure.
Add highlights and shadows to create depth and dimension.
Make final adjustments to the overall composition and color harmony.
color palette
primary · yellow ochre · burnt umber · sap green · titanium white
secondary · ultramarine blue · cadmium yellow · alizarin crimson
Achieve the earthy tones by mixing yellow ochre, burnt umber, and white. Use ultramarine blue and cadmium yellow to create various shades of green. Add alizarin crimson for warmer tones in the architecture and foliage.
techniques
common pitfalls
surface · stretched canvas
required
optional
A medium-textured canvas will work well for this painting. Consider using a limited palette to simplify the color mixing process.
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