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home·artworks·Prophet Elijah in the Desert - from the Winged altar in St. Peter in Leuven
Prophet Elijah in the Desert - from the Winged altar in St. Peter in Leuven by Dirk Bouts

plate no. 9401

Prophet Elijah in the Desert - from the Winged altar in St. Peter in Leuven

Dirk Bouts, 1465

oil, panelNorthern Renaissancereligious paintingangelfiguredesertmountainslandscapereligious
some experience helpful

Recreating this painting will help students understand how to render drapery folds and create atmospheric perspective in a landscape. It also provides practice in depicting figures in a believable setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the landscape elements.

  2. step 02

    Establish the horizon line and the main shapes of the mountains and trees.

  3. step 03

    Block in the main colors of the sky, ground, and figures using thin washes.

  4. step 04

    Begin layering colors to define the forms of the figures, focusing on the drapery folds.

  5. step 05

    Add details to the landscape, such as the rocks, trees, and distant mountains, using progressively lighter values to create atmospheric perspective.

  6. step 06

    Refine the details of the angel's wings and facial features.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of depth.

color palette

primary · ultramarine blue · vermilion · yellow ochre · raw umber

secondary · titanium white · ivory black · cadmium red light

Mix various shades of blue and white for the angel's robe. Use a combination of red, yellow, and brown for the sleeping figure's cloak. Create atmospheric perspective by lightening and desaturating colors in the distance.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·drapery rendering
  • ·figure drawing

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Ignoring the principles of atmospheric perspective
  • →Creating muddy colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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