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home·artworks·Promenade On Horseback
Promenade On Horseback by Pietro Longhi

plate no. 6194

Promenade On Horseback

Pietro Longhi, 1760

oil, canvasRococogenre paintingfigureshorseslandscapeskyanimalsclothing
some experience helpful

Recreating this painting will help students develop skills in rendering figures and animals in a landscape setting, as well as understanding atmospheric perspective and color mixing for realistic skin tones and fabrics.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures, horses, and landscape elements.

  2. step 02

    Establish the background sky and distant landscape with thin washes of color.

  3. step 03

    Block in the main shapes of the figures and horses, paying attention to proportions and anatomy.

  4. step 04

    Begin layering colors to define the forms and create depth, starting with the darkest values.

  5. step 05

    Refine the details of the clothing, faces, and horse tack, using smaller brushes.

  6. step 06

    Add highlights and shadows to create a sense of volume and dimension.

  7. step 07

    Paint the foreground details, including the dog and turkey, and blend them into the surrounding landscape.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and create a sense of atmosphere.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium red light

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use yellow ochre and burnt sienna to create warm skin tones. Add ultramarine blue to create cooler shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended for this project.

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