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home·artworks·Promenade in the Tuileries gardens
Promenade in the Tuileries gardens by Ludwig Knaus

plate no. 4710

Promenade in the Tuileries gardens

Ludwig Knaus

oilAcademicismgenre paintingfigurestreesparkclothingchildrenstatue
some experience helpful

Recreating this painting will help students develop skills in rendering figures in light and shadow, as well as creating depth through atmospheric perspective. Students will also learn to mix subtle color variations to depict fabrics and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main tree.

  2. step 02

    Establish the background with broad washes of color, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figures, using simplified forms and values.

  4. step 04

    Begin refining the details of the figures, starting with the faces and hands.

  5. step 05

    Add details to the clothing, paying attention to the folds and textures.

  6. step 06

    Develop the foliage of the trees, using a variety of brushstrokes to create texture.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · cadmium yellow · burnt sienna · ultramarine blue

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve the skin tones by mixing titanium white, yellow ochre, and a small amount of burnt sienna.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering fabrics

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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