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home·artworks·Prisoner
Prisoner by Tetsuya Ishida

plate no. 1507

Prisoner

Tetsuya Ishida, 1999

oilSurrealismsymbolic paintingbuildingskycloudsfiguresschoolyardface
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and creating atmospheric perspective to convey depth. It also provides practice in painting architectural details and figures in a believable setting.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building and the placement of the figures, paying attention to perspective.

  2. step 02

    Block in the sky with light blue and white, blending the colors to create a soft, cloudy effect.

  3. step 03

    Establish the base colors of the building, using a mix of white, gray, and yellow.

  4. step 04

    Begin to define the details of the building, such as windows, doors, and architectural features.

  5. step 05

    Start painting the figures, focusing on their basic shapes and proportions.

  6. step 06

    Mix skin tones and begin rendering the face and hand, paying attention to light and shadow.

  7. step 07

    Refine the details of the figures and the building, adding highlights and shadows to create depth.

  8. step 08

    Add final touches and details, such as the shadows on the ground and the subtle variations in the sky.

color palette

primary · titanium white · cerulean blue · yellow ochre · raw umber

secondary · burnt sienna · cadmium red light · ivory black

Mix various shades of blue and white for the sky. Use yellow ochre, raw umber, and white for the building. Create skin tones by mixing white, red, yellow, and a touch of brown.

techniques

  • ·atmospheric perspective
  • ·blending
  • ·rendering
  • ·linear perspective
  • ·color mixing

common pitfalls

  • →Incorrect perspective can ruin the sense of depth.
  • →Overworking the details can make the painting look stiff.
  • →Inaccurate skin tones can make the face look unnatural.
  • →Ignoring the subtle variations in color can make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·retouch varnish
  • ·easel
  • ·painting medium

Use a smooth canvas for easier blending. Acrylic paints can be substituted for oils.

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oil painting for beginners →how to learn by studying the masters →
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