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Printemps by Jules Pascin

plate no. 4077

Printemps

Jules Pascin, 1917

oilCubismgenre paintingfigurestreeslandscapeclothingparkfoliage
some experience helpful

Recreating this painting will help students develop skills in simplifying complex forms into geometric shapes and using a limited color palette to create a harmonious composition. It also encourages experimentation with visible brushstrokes to add texture and visual interest.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figures, trees, and landscape elements, focusing on their geometric forms.

  2. step 02

    Block in the main color areas using thin washes of color, starting with the lightest tones.

  3. step 03

    Gradually build up the color intensity and value contrasts, layering colors to create depth and dimension.

  4. step 04

    Define the edges of the shapes with slightly darker or lighter tones, using visible brushstrokes to add texture.

  5. step 05

    Add details to the figures' clothing and hats, using small, precise brushstrokes.

  6. step 06

    Refine the background elements, such as the trees and foliage, using a variety of brushstrokes and colors.

  7. step 07

    Check the overall composition and make any necessary adjustments to the colors, values, and shapes.

  8. step 08

    Add final touches and highlights to create a sense of light and atmosphere.

color palette

primary · beige · light blue · light green

secondary · brown · purple · white

Mix beige by combining white, yellow ochre, and a touch of burnt umber. Achieve the light blue by mixing white with a small amount of ultramarine blue. Create variations in the greens by mixing blue and yellow with touches of white or brown.

techniques

  • ·geometric abstraction
  • ·color layering
  • ·visible brushstrokes
  • ·limited palette
  • ·simplified forms

common pitfalls

  • →Overworking the details and losing the simplified geometric forms.
  • →Using too many colors and creating a muddy or chaotic composition.
  • →Ignoring the value contrasts and creating a flat or lifeless painting.
  • →Not capturing the overall mood and atmosphere of the scene.
  • →Failing to simplify the forms enough.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·#4 round brush
  • ·#8 flat brush
  • ·Titanium white oil paint
  • ·Yellow ochre oil paint
  • ·Ultramarine blue oil paint
  • ·Burnt umber oil paint

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits

Use a medium-grain canvas to allow for texture. Consider using a limited palette of oil paints to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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