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home·artworks·Princess Mary Tudor and Charles Brandon, duke of Suffolk
Princess Mary Tudor and Charles Brandon, duke of Suffolk by Mabuse

plate no. 5170

Princess Mary Tudor and Charles Brandon, duke of Suffolk

Mabuse, 1516

oilNorthern Renaissanceportraitportraitfiguresclothingjewelryhistoricalbackground
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict intricate details in clothing and jewelry.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition, focusing on proportions and placement of figures.

  2. step 02

    Block in the background with dark greens and browns, establishing the overall tone.

  3. step 03

    Begin painting the faces, starting with a base layer of skin tones and gradually building up highlights and shadows.

  4. step 04

    Carefully render the clothing, paying attention to the folds and textures of the fabric.

  5. step 05

    Paint the jewelry and other details, using fine brushes to capture the intricate designs.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details and make any necessary adjustments to the composition.

  8. step 08

    Apply a final layer of varnish to protect the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · gold · emerald green · burnt sienna

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Achieve the dark blacks by mixing ivory black with a touch of burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering
  • ·detail work

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the intricate details of the clothing and jewelry.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·variety of brushes (small detail brush, round brush, flat brush)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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