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home·artworks·Portret Romana Potockiego
Portret Romana Potockiego by Teodor Axentowicz

plate no. 9104

Portret Romana Potockiego

Teodor Axentowicz, 1900

oilArt Nouveau (Modern)portraitportraitfigureclothinghistoricalmancoat
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic fabric textures. It also provides practice in subtle color mixing and achieving smooth transitions in skin tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and pose of the figure.

  2. step 02

    Block in the background with a thin layer of burnt umber and raw sienna.

  3. step 03

    Establish the main light and shadow areas on the face and clothing using a limited palette.

  4. step 04

    Gradually build up the skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Refine the details of the clothing, including the folds and textures of the fabric.

  6. step 06

    Add the dark fur collar and the details of the belt.

  7. step 07

    Paint the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add the emblem in the background.

color palette

primary · titanium white · raw umber · burnt umber · ivory black

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use ultramarine blue and burnt umber to create neutral grays for shadows. Mix white with a touch of burnt umber for the white clothing.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Oversimplifying the skin tones.
  • →Losing the likeness of the subject.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle variations in value.
  • →Getting the proportions wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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