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home·artworks·Portret Jana Dzierżysława Tarnowskiego
Portret Jana Dzierżysława Tarnowskiego by Henryk Rodakowski

plate no. 6549

Portret Jana Dzierżysława Tarnowskiego

Henryk Rodakowski, 1889

oilRomanticismportraitportraitfiguremanclothingcolumnsword
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting complex textures and fabrics.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad, blended strokes of muted colors.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall value structure.

  4. step 04

    Develop the skin tones, using subtle variations in color and value to create form.

  5. step 05

    Add details to the clothing, including the fur trim and decorative elements.

  6. step 06

    Render the hands, carefully observing the anatomy and subtle details.

  7. step 07

    Paint the sword and other accessories, paying attention to their texture and form.

  8. step 08

    Refine the overall painting, adjusting values and adding final details.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use black and umber for dark areas, and white to lighten values. Create subtle variations by adding small amounts of blue or green.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle variations in value and color.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·medium gloss
  • ·mahogany palette

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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