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home·artworks·Portrait von Frédéric Chopin
Portrait von Frédéric Chopin by Henri Lehmann

plate no. 5354

Portrait von Frédéric Chopin

Henri Lehmann, 1840

oilRomanticismportraitportraitmanclothingpaperface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations for creating realistic skin tones. Students will also learn to depict clothing folds and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the background color with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of color for the skin, clothing, and paper, using a limited palette.

  4. step 04

    Begin refining the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Develop the details of the clothing, including the folds and textures, using a combination of blending and dry brushing.

  6. step 06

    Add the highlights on the paper and the details of the hand holding it.

  7. step 07

    Refine the background and blend edges to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism of the portrait.

color palette

primary · titanium white · burnt umber · raw sienna · ivory black

secondary · cadmium red light · yellow ochre

Skin tones are achieved by mixing white, burnt umber, raw sienna, and a touch of cadmium red light. Black is used sparingly, mostly for the clothing. Mix the background by blending burnt umber and raw sienna.

techniques

  • ·portraiture
  • ·blending
  • ·value studies
  • ·glazing
  • ·dry brushing

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overblending, resulting in a flat, lifeless appearance.
  • →Using too much black, making the painting look muddy.
  • →Neglecting the subtle value changes in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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