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Portrait of Woman by Giovanni Costa

plate no. 6202

Portrait of Woman

Giovanni Costa

oilAcademicismportraitportraitwomanclothingfacehairfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric textures with visible brushstrokes. It also provides practice in mixing skin tones and creating subtle value shifts.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and the drape of the clothing.

  2. step 02

    Establish the background with a thin, even layer of neutral color.

  3. step 03

    Block in the main areas of color for the skin, hair, and clothing, paying attention to the overall value structure.

  4. step 04

    Begin to refine the facial features, focusing on accurate placement and proportions.

  5. step 05

    Develop the details of the clothing, using visible brushstrokes to suggest the texture and folds of the fabric.

  6. step 06

    Add highlights and shadows to create depth and dimension in the face and clothing.

  7. step 07

    Refine the edges and details, paying attention to the overall harmony of the painting.

  8. step 08

    Add final touches and glazes to enhance the colors and values.

color palette

primary · titanium white · ultramarine blue · burnt umber · cadmium red light

secondary · yellow ochre · raw sienna · ivory black

Mix skin tones using titanium white, cadmium red light, yellow ochre, and a touch of burnt umber. Achieve the deep blues of the clothing by mixing ultramarine blue with burnt umber and a touch of ivory black. Use white to create highlights.

techniques

  • ·portrait drawing
  • ·alla prima
  • ·glazing
  • ·scumbling
  • ·broken color

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle value shifts in the skin tones.
  • →Making the clothing look flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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