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home·artworks·Portrait of Wladek Szerner
Portrait of Wladek Szerner by Wladyslaw Czachorski

plate no. 6301

Portrait of Wladek Szerner

Wladyslaw Czachorski, 1879

oil, canvasAcademicismportraitportraitchildfigureclothinghairlace
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practice blending and layering techniques to achieve subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and composition of the portrait on the canvas.

  2. step 02

    Establish the background color with a thin wash of muted green and brown tones.

  3. step 03

    Block in the main shapes of the face, hair, and clothing with corresponding colors.

  4. step 04

    Begin layering and blending colors to refine the skin tones, paying attention to highlights and shadows.

  5. step 05

    Add details to the hair, using short, directional brushstrokes to create texture.

  6. step 06

    Paint the lace collar, focusing on capturing the delicate pattern and subtle variations in tone.

  7. step 07

    Refine the details of the clothing, including the buttons and folds.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and depth of the portrait.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix skin tones using white, raw sienna, a touch of red, and a hint of blue for shadows. Achieve the background color by mixing green, brown, and black.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overblending the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to accurately capture the proportions and likeness of the subject.
  • →Ignoring the subtle variations in color and tone, leading to a monotonous painting.
  • →Getting lost in the details of the lace collar too early, before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or 16x20)
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, cadmium red light, yellow ochre, ultramarine blue)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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related guides

oil painting for beginners →how to learn by studying the masters →
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