apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Varvara Nikolaevna Surovceva
Portrait of Varvara Nikolaevna Surovceva by Fyodor Rokotov

plate no. 0227

Portrait of Varvara Nikolaevna Surovceva

Fyodor Rokotov, 1780

oilRococoportraitportraitwomandressroselacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle color blending for skin tones, as well as rendering delicate fabrics and details like lace.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape and the placement of the figure within it.

  2. step 02

    Lightly sketch the main features: head, shoulders, and the overall shape of the dress and hair.

  3. step 03

    Block in the background with a dark, muted tone.

  4. step 04

    Establish the basic skin tones and shadows on the face, neck, and hands.

  5. step 05

    Begin layering in the details of the dress, focusing on the highlights and shadows to create form.

  6. step 06

    Paint the rose and leaves, paying attention to their color variations and textures.

  7. step 07

    Add the lace details and the ribbon, using fine brushstrokes.

  8. step 08

    Refine the details and adjust the values to create a cohesive and realistic portrait.

color palette

primary · titanium white · ivory black · rose madder · yellow ochre

secondary · viridian green · ultramarine blue · raw umber

Achieve skin tones by mixing white, yellow ochre, and a touch of rose madder. Use black and umber to create the dark background. Mix white with rose madder for the rose and add touches of green for the leaves.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·rendering fabric
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using too much paint and losing the subtle color variations.
  • →Failing to create a smooth transition between values.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, ivory black, rose madder, yellow ochre, viridian green, ultramarine blue, raw umber)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat, sizes 0-6)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West