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home·artworks·Portrait of Varvara Ermolayevna-Novosiltseva
Portrait of Varvara Ermolayevna-Novosiltseva by Fyodor Rokotov

plate no. 7129

Portrait of Varvara Ermolayevna-Novosiltseva

Fyodor Rokotov, 1780

oil, canvasRococoportraitportraitfigurewomandresshairribbon
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft, diffused light. It also provides practice in blending and layering colors to create subtle variations in skin tone and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape and the figure's pose, paying attention to proportions.

  2. step 02

    Block in the background with a dark, muted tone.

  3. step 03

    Establish the main areas of light and shadow on the face and dress using thin washes of color.

  4. step 04

    Begin layering colors to build up the skin tones, focusing on smooth transitions.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  6. step 06

    Render the hair with loose, flowing brushstrokes, capturing its volume and texture.

  7. step 07

    Paint the dress, paying attention to the folds and drapery, and add the ribbon.

  8. step 08

    Refine the details and adjust the values to create a cohesive and realistic portrait.

color palette

primary · yellow ochre · titanium white · burnt umber

secondary · cadmium red · viridian · ivory black

Achieve skin tones by mixing yellow ochre, titanium white, and a touch of cadmium red. Use burnt umber and ivory black for shadows. Mix viridian and white for the ribbon.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong foundation of values.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle nuances of skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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