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home·artworks·Portrait of Thomas Carlyle
Portrait of Thomas Carlyle by George Frederick Watts

plate no. 9667

Portrait of Thomas Carlyle

George Frederick Watts

oil, canvasAcademicismportraitportraitmanbeardhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating depth and atmosphere through subtle color variations and value contrasts.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a toned ground of burnt umber.

  2. step 02

    Sketch the basic shapes and proportions of the portrait, paying attention to the angle of the head and facial features.

  3. step 03

    Block in the main areas of color, starting with the background and then the clothing and face.

  4. step 04

    Begin to refine the facial features, focusing on the eyes, nose, and mouth.

  5. step 05

    Add highlights and shadows to create depth and dimension in the face and hair.

  6. step 06

    Work on the details of the beard and hair, using small brushstrokes to create texture.

  7. step 07

    Refine the clothing and background, paying attention to the subtle color variations.

  8. step 08

    Add final details and adjust values as needed to achieve a cohesive and realistic portrait.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · cadmium red · ivory black

Mix various shades of brown and gray by combining burnt umber, yellow ochre, ivory black, and titanium white. Use small amounts of cadmium red to add warmth to the skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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