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home·artworks·Portrait of the Procurator Dolfin
Portrait of the Procurator Dolfin by Giovanni Battista Tiepolo

plate no. 5792

Portrait of the Procurator Dolfin

Giovanni Battista Tiepolo, 1750

oilRococoportraitfigureportraitred robearchitecturetablewig
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds, as well as understanding atmospheric perspective and creating depth through value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the figure, architecture, and table.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main color areas: the red robe, the background, and the skin tones.

  4. step 04

    Develop the folds and details of the robe, using variations of red and brown.

  5. step 05

    Refine the facial features and hair, paying attention to light and shadow.

  6. step 06

    Add details to the architecture and table, including the tassels and book.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · cadmium red · burnt umber · titanium white

secondary · yellow ochre · ivory black

Achieve the various shades of red by mixing cadmium red with burnt umber and white. Use yellow ochre and white for highlights on the skin and robe. Create depth in the background by mixing burnt umber with ivory black.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Creating a flat, lifeless robe by not paying attention to value changes.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (cadmium red, burnt umber, titanium white, yellow ochre, ivory black)
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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