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home·artworks·Portrait of the poet and tragedian Prosper Jolyot de Crébillon (1674-1762)
Portrait of the poet and tragedian Prosper Jolyot de Crébillon (1674-1762) by Jacques Aved

plate no. 8460

Portrait of the poet and tragedian Prosper Jolyot de Crébillon (1674-1762)

Jacques Aved

oilRococoportraitportraitfigureclothingbooksinteriorwig
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in depicting complex fabrics and details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad, muted tones, creating depth and atmosphere.

  3. step 03

    Block in the main shapes of the figure, paying attention to the folds and drapery of the clothing.

  4. step 04

    Start building up the skin tones with thin layers of paint, gradually adding highlights and shadows.

  5. step 05

    Carefully render the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  6. step 06

    Paint the clothing and accessories, focusing on the textures and patterns of the fabrics.

  7. step 07

    Add the details of the books and other objects in the background, maintaining a sense of depth and perspective.

  8. step 08

    Refine the painting with final touches and adjustments, ensuring a cohesive and polished result.

color palette

primary · ivory black · titanium white · cadmium red light · raw umber

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of raw umber. Create the dark clothing by mixing ivory black with raw umber and a hint of ultramarine blue.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions wrong
  • →Overtly bright colors
  • →Losing the likeness of the subject
  • →Ignoring the subtle variations in skin tone

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paint.

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oil painting for beginners →how to learn by studying the masters →
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