apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of the Painter Juan De Barroeta
Portrait of the Painter Juan De Barroeta by Raimundo de Madrazo

plate no. 2960

Portrait of the Painter Juan De Barroeta

Raimundo de Madrazo, 1884

oil, canvasAcademicismportraitportraitmanbeardclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form through subtle value changes and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin building up the skin tones using a limited palette of earth tones, white, and a touch of red.

  4. step 04

    Carefully observe and replicate the subtle color variations in the face, paying attention to highlights and shadows.

  5. step 05

    Paint the beard and hair using short, broken brushstrokes to create texture.

  6. step 06

    Develop the clothing and background, using darker values and looser brushwork.

  7. step 07

    Refine the details of the face, such as the eyes, nose, and mouth, to capture the subject's likeness.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · burnt umber · titanium white · raw sienna · ivory black

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white with small amounts of burnt umber, raw sienna, and cadmium red. Use ivory black and burnt umber for shadows and darker areas.

techniques

  • ·portrait painting
  • ·value study
  • ·blending
  • ·scumbling
  • ·limited palette

common pitfalls

  • →Overblending the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to accurately capture the proportions of the face.
  • →Ignoring the subtle color variations in the skin.
  • →Using too much detail in the background, distracting from the main subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, titanium white, raw sienna, ivory black, cadmium red light, yellow ochre)
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a pre-toned canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus