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home·artworks·Portrait of the Duchess of Luxembourg, seated three-quarter-length, in an embroidered yellow dress, before a fountain, a landscape beyond
Portrait of the Duchess of Luxembourg, seated three-quarter-length, in an embroidered yellow dress, before a fountain, a landscape beyond by Jacques Aved

plate no. 7391

Portrait of the Duchess of Luxembourg, seated three-quarter-length, in an embroidered yellow dress, before a fountain, a landscape beyond

Jacques Aved

oilRococoportraitportraitfigurelandscapedressfruitfountain
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric. It also provides practice in creating atmospheric perspective in the background landscape.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main areas of color: skin tones, dress, background sky, and landscape.

  3. step 03

    Begin refining the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Develop the folds and details of the yellow dress, using highlights and shadows to create form.

  5. step 05

    Paint the background landscape, using lighter values and softer edges to create depth.

  6. step 06

    Add details to the foreground elements, such as the fruit and the fountain.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · titanium white · ultramarine blue

secondary · burnt umber · alizarin crimson · sap green

Mix yellow ochre with white for the dress highlights and burnt umber for shadows. Use ultramarine blue and white for the sky, adding a touch of alizarin crimson for the clouds. Mix greens with yellow ochre, ultramarine blue, and white for the landscape.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·atmospheric perspective
  • ·blending
  • ·glazing

common pitfalls

  • →Getting the proportions of the figure wrong
  • →Overworking the skin tones
  • →Making the dress look flat
  • →Creating a muddy or unclear background

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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