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home·artworks·Portrait of the doctor M.G. Worms
Portrait of the doctor M.G. Worms by Henri Lehmann

plate no. 5569

Portrait of the doctor M.G. Worms

Henri Lehmann, 1850

oil, canvasRomanticismportraitportraitfiguremanclothingdark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering skin tones. It also provides practice in creating depth and form using subtle value changes against a dark background.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general areas of light and shadow on the face and hands.

  3. step 03

    Begin refining the facial features, focusing on accurate placement and proportions of the eyes, nose, and mouth.

  4. step 04

    Develop the skin tones by layering thin washes of color, gradually building up the highlights and shadows.

  5. step 05

    Add details to the clothing, paying attention to the folds and creases in the fabric.

  6. step 06

    Refine the hair, using small brushstrokes to create texture and movement.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the portrait.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · burnt sienna

Mix skin tones using titanium white, yellow ochre, cadmium red light, and a touch of raw umber. Use ivory black and raw umber for the dark background and clothing, adding small amounts of other colors to create subtle variations.

techniques

  • ·portrait drawing
  • ·glazing
  • ·value studies
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Making the skin tones too flat or uniform.
  • →Overworking the details and losing the overall sense of form.
  • →Not creating enough contrast between the figure and the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

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