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home·artworks·Portrait of the dancer Barbara Campanini aka La Barbarina
Portrait of the dancer Barbara Campanini aka La Barbarina by Antoine Pesne

plate no. 3133

Portrait of the dancer Barbara Campanini aka La Barbarina

Antoine Pesne, 1745

oilRococoportraitfigureportraitdressgardenstatuetambourine
experienced study

Recreating this painting will help students develop skills in rendering fabric textures, particularly the shimmering effect of the dress, and in capturing the delicate details of Rococo portraiture.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure and main compositional elements.

  2. step 02

    Block in the background with thin washes of color, focusing on the overall tone.

  3. step 03

    Establish the basic shapes and values of the figure, paying attention to proportions.

  4. step 04

    Begin layering colors to build up the form of the dress, focusing on light and shadow.

  5. step 05

    Add details to the face, hands, and other focal points, using small brushes.

  6. step 06

    Render the fabric texture of the dress with short, broken brushstrokes and subtle color variations.

  7. step 07

    Paint the details of the flowers and embellishments on the dress.

  8. step 08

    Refine the background and add final touches to the composition.

color palette

primary · titanium white · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium red · viridian green · ivory black

Achieve the shimmering effect of the dress by mixing white with small amounts of blue, yellow, and brown. Create the flesh tones by mixing white, red, and yellow ochre.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle color variations in the dress.
  • →Incorrect proportions of the figure.
  • →Ignoring the background and its effect on the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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