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home·artworks·Portrait of the count of Nieuwerkerke
Portrait of the count of Nieuwerkerke by Henri Lehmann

plate no. 3793

Portrait of the count of Nieuwerkerke

Henri Lehmann, 1846

oilRomanticismportraitportraitmanbeardhairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle value shifts to create form. Students will also learn to mix a limited palette of colors to achieve a range of skin tones and dark values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  4. step 04

    Develop the hair and beard, using layers of paint to create texture and depth.

  5. step 05

    Work on the clothing, simplifying the folds and focusing on the overall shape.

  6. step 06

    Refine the background, ensuring it complements the subject without distracting from it.

  7. step 07

    Add highlights and details to bring the portrait to life.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and realistic representation.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Mix skin tones by combining white, yellow ochre, and a touch of red. Use black and umber to create dark values for shadows and clothing. Add small amounts of red to the cheeks and lips for warmth.

techniques

  • ·portrait drawing
  • ·value studies
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong, leading to an inaccurate likeness.
  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Using too much paint, causing the colors to become muddy.
  • →Ignoring the subtle value shifts, making the portrait look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending.

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oil painting for beginners →how to learn by studying the masters →
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