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home·artworks·Portrait of the Comtesse du Barry
Portrait of the Comtesse du Barry by Jean-Baptiste Greuze

plate no. 5028

Portrait of the Comtesse du Barry

Jean-Baptiste Greuze, 1771

oilRococoportraitportraitfiguredresshairlacerococo
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle color blending for skin tones, and rendering delicate fabrics like lace. It also provides practice in creating soft, diffused lighting effects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the background with a dark, muted tone.

  3. step 03

    Establish the basic skin tones, focusing on the highlights and shadows.

  4. step 04

    Begin layering and blending the skin tones to create a smooth, realistic effect.

  5. step 05

    Paint the dress, paying attention to the folds and drapery.

  6. step 06

    Add the details of the lace, using fine brushstrokes.

  7. step 07

    Refine the hair, creating soft, flowing strands.

  8. step 08

    Add final highlights and shadows to enhance the overall form.

color palette

primary · titanium white · ivory black · yellow ochre · cadmium red light

secondary · ultramarine blue · raw umber · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and white for the dress, and raw umber for shadows. Mix small amounts of alizarin crimson to create the pinkish hues in the face.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering lace

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions wrong, leading to an inaccurate likeness.
  • →Failing to blend the skin tones smoothly.
  • →Overworking the details, making the painting look stiff.
  • →Not paying attention to the lighting, resulting in a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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