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home·artworks·Portrait of the Artist's Wife, Marie
Portrait of the Artist's Wife, Marie by Peder Severin Kroyer

plate no. 9392

Portrait of the Artist's Wife, Marie

Peder Severin Kroyer, 1889

oilImpressionismportraitportraitwomanfigurehairfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle color variations. It also provides practice in using expressive brushstrokes to create form and texture.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and hair.

  2. step 02

    Establish the main light and shadow areas with thin washes of color.

  3. step 03

    Begin building up the skin tones, paying attention to subtle shifts in color temperature.

  4. step 04

    Define the features of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Add details to the hair, using short, broken brushstrokes to create texture.

  6. step 06

    Paint the clothing, using thicker paint and more visible brushstrokes.

  7. step 07

    Refine the background, keeping it soft and slightly out of focus.

  8. step 08

    Add final highlights and shadows to enhance the form and create depth.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium yellow · alizarin crimson · ivory black

Mix skin tones by blending white, yellow ochre, and a touch of alizarin crimson. Use ultramarine blue and burnt umber to create shadows and darker areas. Add small amounts of cadmium yellow to create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color temperature
  • ·portraiture

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Getting the proportions of the face wrong, leading to an inaccurate likeness.
  • →Using too much detail in the background, distracting from the main subject.
  • →Ignoring the subtle shifts in color temperature, resulting in a muddy or unnatural look.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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