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home·artworks·Portrait of the Artist's Sister
Portrait of the Artist's Sister by Georges Lemmen

plate no. 9954

Portrait of the Artist's Sister

Georges Lemmen, 1891

oilPointillismportraitportraitfigurewomandresschairbackground
experienced study

Recreating this painting will help students understand color mixing for pointillism and develop patience for applying small, distinct dots of color. It also reinforces understanding of form and light through color variations.

technical profile

palette complexity
5
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, chair, and background.

  2. step 02

    Establish the overall color scheme by blocking in large areas with diluted washes of color.

  3. step 03

    Begin applying small, distinct dots of color to the background, focusing on color variations and optical mixing.

  4. step 04

    Work on the figure, using a similar pointillist technique to define the form and create subtle shading.

  5. step 05

    Pay close attention to the color relationships between the figure and the background to create depth.

  6. step 06

    Add details to the face, hands, and dress, using smaller dots of color to refine the forms.

  7. step 07

    Refine the highlights and shadows to enhance the three-dimensionality of the figure.

  8. step 08

    Make final adjustments to the color and value to achieve a harmonious and balanced composition.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna

secondary · cadmium red · viridian green · titanium white

Achieve skin tones by mixing white with small amounts of yellow ochre, burnt sienna, and cadmium red. Use ultramarine blue and viridian green to create the dark tones in the dress. Mix complementary colors to create muted tones for the background.

techniques

  • ·pointillism
  • ·optical mixing
  • ·color layering
  • ·scumbling
  • ·color temperature

common pitfalls

  • →Applying dots that are too large or too uniform in size.
  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the color relationships between different areas of the painting.
  • →Losing patience and rushing the application of the dots.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·small round brushes (#0, #1, #2)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use high-quality oil paints for best results. Choose small, round brushes with fine points for precise dot application. Pre-tinting the canvas with a neutral color can help create a more unified background.

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oil painting for beginners →how to learn by studying the masters →
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