
plate no. 9954
Georges Lemmen, 1891
Recreating this painting will help students understand color mixing for pointillism and develop patience for applying small, distinct dots of color. It also reinforces understanding of form and light through color variations.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the figure, chair, and background.
Establish the overall color scheme by blocking in large areas with diluted washes of color.
Begin applying small, distinct dots of color to the background, focusing on color variations and optical mixing.
Work on the figure, using a similar pointillist technique to define the form and create subtle shading.
Pay close attention to the color relationships between the figure and the background to create depth.
Add details to the face, hands, and dress, using smaller dots of color to refine the forms.
Refine the highlights and shadows to enhance the three-dimensionality of the figure.
Make final adjustments to the color and value to achieve a harmonious and balanced composition.
color palette
primary · ultramarine blue · yellow ochre · burnt sienna
secondary · cadmium red · viridian green · titanium white
Achieve skin tones by mixing white with small amounts of yellow ochre, burnt sienna, and cadmium red. Use ultramarine blue and viridian green to create the dark tones in the dress. Mix complementary colors to create muted tones for the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Choose small, round brushes with fine points for precise dot application. Pre-tinting the canvas with a neutral color can help create a more unified background.
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