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home·artworks·Portrait of Thadee Nathanson
Portrait of Thadee Nathanson by Felix Vallotton

plate no. 5945

Portrait of Thadee Nathanson

Felix Vallotton, 1897

oil, cardboardMagic Realismportraitportraitfigurebeardwindowinteriorclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form using subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: head, shoulders, and background elements.

  2. step 02

    Block in the main color areas: skin tones, hair, beard, clothing, and background.

  3. step 03

    Refine the skin tones, paying attention to subtle value changes and highlights.

  4. step 04

    Develop the details of the beard and hair, using short, controlled brushstrokes.

  5. step 05

    Add details to the clothing, including the collar and buttons.

  6. step 06

    Paint the background elements, such as the window and furniture, using simplified shapes and colors.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna · cadmium red light

Mix skin tones by blending white, yellow ochre, and a touch of red. Use raw umber and black to create the dark tones in the beard and clothing. Add white to raw umber for the background.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value changes that create form and depth.
  • →Using too much detail in the background, distracting from the main subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (raw umber, titanium white, ivory black, yellow ochre, burnt sienna, cadmium red light)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·retouch varnish
  • ·easel
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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