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home·artworks·Portrait of Suzanne of Bourbon
Portrait of Suzanne of Bourbon by Jean Hey

plate no. 9769

Portrait of Suzanne of Bourbon

Jean Hey, 1498

oil, panelNorthern Renaissanceportraitportraitchildfigureclothinghead coveringhands
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and depicting the folds and textures of fabric. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, paying attention to proportions and pose.

  2. step 02

    Block in the background with a dark, even tone.

  3. step 03

    Establish the basic shapes and values of the face, hands, and clothing.

  4. step 04

    Begin layering and blending colors to create smooth transitions in the skin tones.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using small brushes.

  6. step 06

    Develop the folds and textures of the clothing, using highlights and shadows.

  7. step 07

    Refine the details of the hands, paying attention to the knuckles and fingernails.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · ivory black · yellow ochre · cadmium red light

secondary · raw umber · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use black and umber to create shadows and depth. Mix white with small amounts of other colors to create the off-white of the clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the subtle nuances of the facial expression.
  • →Ignoring the importance of highlights and shadows in creating form.
  • →Getting lost in details too early, before establishing the overall composition and values.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·ultramarine blue oil paint

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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