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home·artworks·Portrait of Sir John Hynde Cotton, 3rd BT
Portrait of Sir John Hynde Cotton, 3rd BT by Allan Ramsay

plate no. 9378

Portrait of Sir John Hynde Cotton, 3rd BT

Allan Ramsay, 1740

oil, canvasRococoportraitportraitfiguremanclothingwigdrapery
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as understanding how to depict fabric folds and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's pose and proportions, paying attention to the placement of limbs and head.

  2. step 02

    Block in the main shapes of the background, clothing, and skin tones with thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of subtle color variations, focusing on highlights and shadows.

  4. step 04

    Define the details of the face, including the eyes, nose, and mouth, using small brushstrokes.

  5. step 05

    Render the clothing, paying attention to the folds and drapery, and use highlights to create a sense of volume.

  6. step 06

    Paint the wig, using a combination of light and dark tones to create texture and depth.

  7. step 07

    Add details such as buttons, cuffs, and any other accessories.

  8. step 08

    Refine the overall composition and make any necessary adjustments to the colors and values.

color palette

primary · burnt umber · titanium white · ultramarine blue

secondary · cadmium red · yellow ochre

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. The blue drapery requires mixing ultramarine with white and a touch of black for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·drapery rendering

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overly harsh or flat skin tones.
  • →Lack of depth and dimension in the clothing.
  • →Poorly rendered facial features.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (burnt umber, titanium white, ultramarine blue, cadmium red, yellow ochre, ivory black)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium (e.g. Liquin)

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.

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